Movies: Jakobois
- 1978
Cinématon (1978)
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Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each...
- 1984
Mesures de miel et de lait sauvage (1984)
Mesures de miel et de lait sauvage01984HD
Teo Hernandez films waste and scrap found on the pavements of the streets of Paris. “Sidewalks are great subjects: garbage, objects and materials, stains, signs, are a movie subject.”...
- 1977
Cristo (1977)
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All of history, that of Christ or any other, permeates the world, leaves its mark, modifying and informing history, and all that the human reproduces and creates. The best way for historical interpretation or literary adaptation is to move as far as ...
- 1982
Our Lady of Paris (1982)
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Magical Super-8 (shown on 16mm) single frame portrait of the Notre Dame cathedral featuring luminous light and a dense score incorporating players from the square. - Early Monthly Segments...
- 1980
Lacrima Christi (1980)
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Lacrima Christi is the longest of the over 150 films made by the Mexican filmmaker resident in Paris, Teo Hernández. Part three of a tetralogy devoted to Christ’s Passion, Lacrima Christi is an exploration of the transfer between desire and myth that...
- 1983
Chutes de 4 à 4 Métro-Barbès-Rochechou-Art (1983)
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Outtakes from the movie...
- 1982
Cinématon XXVI (1982)
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Reel 26 of Gérard Courant’s on-going Cinematon series....
- 1979
Impostors (1979)
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One of Mark Rappaport's later narratives (which won the Gold Hugo for Best First Feature at the Chicago International Film Festival in 1979), Impostors is an off-kilter comedy/mystery focused on two magicians trying to find Egyptian jewels, their pro...
- 1984
Chutes de Michel Nedjar (1984)
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Outtakes from the movie...
- 1983
Three Drops of Mezcal in a Glass of Champagne (1983)
Three Drops of Mezcal in a Glass of Champagne01983HD
An autobiographical black-and-white short in which Teo Hernández portrays his Purépecha father by holding backlit old photographs atop the Montparnasse Tower while reading a manifesto of sorts on his filmmaking....
- 1979
Thé au bois (1979)
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- 1987
Fragments (1987)
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Eyes and ears travel discontinuously through everyday life and the sub-worlds of the city and the body. A fragmented and subjective day-to-day chronicle that outlines a recurring obsession for registering even the most ordinary things, where the leas...
- 1986
Rumeurs Saint-Maur (1986)
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"Sounds of images" come to me from the windows overlooking rue Saint-Maur (the former pilgrims' path to Saint-Denis) and suddenly make me want to take a closer look. "Images", at the same time, spring from T.S.F.'s post, Louis Moreau Gottschalk star...
- 1983
4 à 4 Métro-Barbès-Rochechou-Art (1983)
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In the early '80s, this collective of artists invented a style of cinema made in 4 hands, where each of the protagonists is also a filmmaker....
- 1979
F.H. 79 (Arrête ton cinéma) (1979)
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- 1981
Sur Graal de T.H. (1981)
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- 1983
Bouquet of Eyes (1983)
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Through the use of portraits, shadow play and reflections, this series of exercises with and from body language compose a "four-handed" look against the notion of authorship: a vindication of the community content (repressed?) in every image....
- 1984
Image Noise (Osmin's Windows) (1984)
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"...the main thing, both during filming and during editing, was not to pay attention, simply to wait to be surprised by a detail and let myself be carried away to another visualization in a dance-like movement."...
- 1978
Cristaux (1978)
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The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an inner labyrinth, which we do not know if it is organic or cultural. At the same time, the film contains a...
- 1988
Passage du désir (1988)
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Passage du désir, a prelude by Jakobois uses the pornographic video-image to which a rhythmical treatment has been given. The sexual activity is explicit. We can clearly understand what is going on. Ultimately there Is the Impression of a stained gla...