Movies: Eve Heller
- 2010
Coming Attractions (2010)
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A film woven around the idea that between early cinema and avant-garde film exists a connection....
- 1995
The Female Offender (1995)
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An exploration of the space where femininity and criminality collide. The film collages archival footage clips culled from silent films, original footage and computer-generated imagery with a series of narratives drawn from true crime confessions, ea...
- 2010
Juice (2010)
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"A slow motion blow-up to 35 mm foregrounds the kinetic serendipity of a handhold portrait shot in 1980 and entirely edited in-camera. At the time I explored the groundbreaking portability and technical features of Super 8 to capture the wild intensi...
- 2016
A Roll for Peter (2016)
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Twenty-plus former students, colleagues, and admirers of Peter Hutton answered an invitation to shoot A Roll For Peter. The parameters were simple: shoot a single 100 feet roll of black and white 16mm film. They were then strung together with black f...
- 2013
Creme 21 (2013)
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A stunning avant-garde sci-fi assembled from ‘70s features and educational movies about time and space....
- 2021
Singing in Oblivion (2021)
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"Vienna’s Jewish Währinger cemetery opened to the public in 1784, during an era of tolerance and prosperity that eventually coincided with the dawn of photography. With the rise of Nazism, this historical jewel of a Biedermeier cemetery was variously...
- 2009
Self-Examination Remote Control (2009)
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A fragile Super 8 self-portait rediscovered on 35mm, made by a struggeling nineteen year old discontented with the pseudo-Brakhagean spectacle presented by her fellow students at the end of the 1970´s. I shot with a remote control and intercut magnet...
- 1978
One (1978)
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The first film I ever made consists of the first roll of film I ever shot, entitled One. I made it for the first film class Keith Sanborn taught, in 1978 at the Department of Media Studies at the University of Buffalo, when he was a graduate student ...
- 2005
Ruby Skin (2005)
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A found footage film that taps into the poetic tradition of the language cut-up, while taking filmic advantage of the 26-frame displacement between sound and image inherent to the optical soundtrack system of 16mm film. The magenta-shifted fragments ...
- 1997
Astor Place (1997)
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Passersby at Astor Place in New York City speak silent volumes as they move by the mirrored surface of a diner window. I wanted to capture the unscripted choreography of the street, its dance of gazes and riddle of identities....
- 1996
Last Lost (1996)
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A film gleaned via the optical printer from a home market movie made in the late 1930's about a chimpanzee's high adventures in an amusement park at Coney Island. Central weight is given to the chimp's inscrutable gaze, indicating psycho-emotional te...
- 2001
Her Glacial Speed (2001)
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The world as seen in a teardrop of milk. I set out to make a film about how unwitting constellations of meaning rise to a surface of understanding at a pace outside of worldly time. This premise became a self fulfilling prophecy. An unexpected interi...
- 2004
Behind This Soft Eclipse (2004)
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A crossing of paths behind the seen, a labor of love in the wake of one who was just here....