Movies: Supercut

A raw exploration of unmerciful violence, defining the essence of Tarantino's cinematic world....

When characters stare at the camera in the films of Alfred Hitchcock, the look is almost always associated with the threat of death (through the eyes of a victim, a murderer, a witness). This momentary suspension between death and life is partly what...

In Paul Thomas Anderson's lens, close-ups reveal emotions, unfold secrets, and storytelling power resides in subtle expressions....

Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman....

Found footage supercut, mashup of Hungarian feature films about the 1956 revolution....

A supercut of television’s The First 48. (Aaron Valdez)...

The fragility of Earth's future, the uncertainty of life are among the core concepts director Páraic McGloughlin explores in this video for Kompakt duo Weval....

A visual essay that highlights top-down shots from Wes Anderson's filmography....

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense...

Scorsese Mirrors reflect emotions, revealing truths. A cinematic journey through the power of glass....

Cleverly conceived and artfully edited, Christian Marclay's 7 1/2-minute video, Telephones, comprises a succession of brief film clips that creates a humorous narrative of its own in which the characters, in progression, dial, hear the phone ring, pi...